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 The film simply stuns you into a frozen silence… No kidding….wherever and whenever I've shown the film the response has been pretty much the same. People have wept and stood frozen for at least fifteen minutes. Subhash K Jha Discusses The Film With The Toronto-Based Director. Having made this triumphant film do you think the struggle has been worth it? Oh, absolutely. Absolutely! The fact that I had to fight for five years made it a better challenge for me. People ask me if the script has changed over the years. The script hasn't changed. I have. Today I've been able to look at the same script from a different viewpoint. If I had made Water five years ago in Varanasi it would've been a different film. Was the shift of location from Varanasi to Sri Lanka a bit of a compromise? It isn't. It just gave me more freedom to do what I wanted to. Varanasi had become a character in it itself. I couldn't handle it as a filmmaker. As this gigantic place of worship Varanasi had become too large in my mind. Once I moved away from Varanasi I felt creatively liberated. You've made the widows' ashram look incredibly squalid. Didn't you think would put audiences off? Not at all! While making the film I wasn't thinking of the audience at all. I said what I had to. It's been such an incredible experience of growth for me. You do something that you believe in. But you've no control over how the world would react to what you do. But the way people have responded to Water….With Fire it was mostly women who felt strongly. With Earth it was neither. But this time I've seen both women and men responding emotionally. Where did the idea for a film on the abandoned widows come from? Eleven years ago I first went to Varanasi to shoot Young Indiana Jones. That's where I first met an abandoned widow. I followed her to an ashram. It was a bit of shock. We all know about widows. But the whole ashram syndrome struck me as being utterly poignant. The visuals stayed with me. When I decided to do an elemental trilogy I knew Water would be about these women who lived and died by water….water is the ultimate equalizer. Either it gives or destroys life. The film concludes with some main characters coming to extremely tragic ends… Not for me. I saw the end (where the raped minor girl is taken away from the squalid ashram by the Gandhian hero) as hopeful. I think the rape of the little widow Chuhiya is a sacrifice made for thesins of society. Chuhiya is the catalyst in the plot. Whoever she touches changes in one way or another. Your film is brutal in expressing sexual repression. I don't shudder from the truth because it's the truth, and the truth has to be told. Societal discrimination horrifies me. There's the other cinema which doesn't tell the truth. That's another way of expressing oneself. I guess that 'brutal' attitude comes from the harsh reality I had to face five years ago when my film was stopped. I realized more strongly than ever, that there's no point in trying to stop the harsh reality from coming out in the open. Life is filled with despair. But I finally found hope in my story. I think your Kalyani (Lisa Ray) is a tribute to Bimal Roy. Oh, absolutely! Kalyani is my Bandini. Water is in many ways a tribute to Bimal Roy. One of my favourite directors Luis Bunuel said that one of the ways a film becomes universal is by staying particular to a culture. Water goes into a specific cultural phenomenon—the abandoned widows of India. From there it goes into the theme of deprivation and lack of dignity in all spheres. Post-Water people in Canada are talking about the persecution of the aboriginals. Water embraces any kind of pain It means different things to different people. A Jewish women in Paris told me Water reminded her of the Jewish community where if a girl marries outside her community the parents blacken the mirrors at home. In this context I love John's conversation with Lisa where he warns her that what's good in tradition shouldn't be allowed to die. I wanted the ideas to flow naturally from the film. In many ways Manorama and Lisa Ray play the two polarities of femininity… Yes, one is the muddy water, the other is the lotus flower. That's where Arjun's line from Bhagavat Gita came in. That's the line I told Lisa when I narrated the script to her. The only way my Kalyani can survive is like a lotus in the muddy water. Lisa worked so hard. And can you imagine how well John has done! He learnt to play the flute and to say the Sanskrit lines. Not for a second do we feel he isn't Narayan. Many of the widows are played by non-professional actors. Mridula for instance is a doctor of Hindi literature from Pune. She always wanted to act. She was apprehensive about not wearing a blouse. You keep going back in time through your films. I'm a sucker for challenges. I believe unless we know where we come from, we won't know where we're going. If and when Water releases in India, the self-appointed custodians of the Hindu religion would say you're selling our misery to the West? If they think Hinduism is not about the truth then I guess they're right. Why are we so scared of showing the truth? Why can't we question aspects of out tradition that aren't so great? By doing so we don't become any less great. Why are we so scared of showing our past? Think of what cinema would be if there were no films about the Jewish holocaust! Why are they not scared of showing their horrific past? That's the question for another film. Why do we want the West to thinkso well about us? The Making Of Water would be as interesting as Water? Maybe later, yes I would like that. I've made a better film than I'd have five years ago. What can't kill you makes you stronger. Those fundamentalist protests in Varanasi made me far surer of my script.The camera did and said things that the characters couldn't. Don't you think the film must be released in India? It must. Right now the Indian rights don't belong to me. But I'm not angry. I couldn't make Water until I stopped being angry. It took me five years to stop being angry. But there's a lingering regret. That instead of doing something about the abandoned widows they aren't even getting to see a film on the theme. It makes for humbling viewing. I felt humbled making it. Water is quite lyrical and funny in its own strange way. I'm glad for the way the world is responding to it. It's so sad that people in India can't see it yet.
Related StoriesJohn-Amisha-in-Deepa-Mehtas-next Canada-based Indian filmmaker Deepa Mehta is planning to repeat her blue-eyed boy John Abraham with Amisha Patel in her next flick "The Exclusion". To be made in Hindi and English, the film is based on a real incident in 1914 when Indian men were denied entry into Canada. Right now Mehta is riding high on the success of "Water", which is Canada's official entry to the Oscars. "Water", which has John, Lisa Ray and Seema Biswas in the main leads, will hit the Indian screens soon. source:nowrunning & more Water-Oscar-Bound-from-Canada  Deepa Mehta’s Water is headed to the Oscars but no it is not India’s entry but rather Canada’s official entry to the Oscars. Since the producer of the film is Canadian, it became Canada’s entry. Director Deepa Mehta was elated with the development and so was actor Seema Biswas who was also part of the film’s cast. “I am very happy though I would have wanted it to be India’s entry definitely. The setting was in India as was the whole star-cast but since it was produced by a Canadian, so it belongs to Canada. But I thank God more Deepa-Mehta-to-Direct-Comedy-Film  Deepa Mehta is well known for hewer films with novel themes and names. Her films Fire and Water are well known. She has now decided to do a comedy film. And she has zeroed in on Madhavan and Vidya Balan in the lead roles for her new film. The scrip is ready. Shooting will commence shortly. more John-Abraham-opposite-Rachel-Weisz  John Abraham has signed his first Hollywood film to be directed by Deepa Mehta. The film is inspired by an American Environmentalist Julia Hill’s fight to save a famous California Redwood tree. John will star opposite famous Hollywood actress and Oscar winner Rachel Weisz in this film titled Luna. Apparently, environmentalist Julia was impressed by John and she thought that he looks like Antonio Banderas. 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She's attending the IIFA for the first time. "The most interesting part of IIFA is that I get to meet filmmakers from India. I just attended a symposium on Satyajit Ray along with Rituparno Ghosh and others. I more Preity-cries-for-home  It isn’t easy being a battered wife. It isn’t easy playing one either. This, Preity Zinta discovered over the past month while shooting in Toronto for Deepa Mehta’s tale of domestic subjugation Heaven On Earth. The role got to Preity so badly, her mother had to fly down to cheer up the vivacious actress. Said Preity, "It was mom’s birthday on November 30, so she came over with my brother and niece for two days. That really helped me to re-connect with my real life, to appreciate how lucky I am to have more |
